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Chapter 4.

The forest is a maze of shadows, the air thick with the scent of pine and damp earth. Roman moves like he knows every inch of this terrain, his steps sure despite the blood trickling down his face. I follow, the crowbar clutched in one hand, my glasses fogging with each ragged breath. The documents are still hidden in the shed, but the weight of their secrets feels like it’s dragging me down. Names, deals, transactions—Roman’s empire built on lies and blood. And somehow, I’m the one holding the key to it all.

We reach a small clearing, the moonlight casting long shadows across the grass. Roman stops, scanning the trees, his body tense. “We’re clear for now,” he says, his voice low. “But they’ll keep coming.”

“Who are they?” I demand, my voice sharp despite the exhaustion creeping in. “You owe me answers, Roman. No more games.”

He turns to me, his green eyes catching the moonlight, and for a moment, he looks almost human—tired, haunted, not the untouchable billionaire I met in the gallery. “They’re my enemies,” he says. “Rivals, partners, people I crossed to get where I am. The documents you’re hiding—they’re proof of deals I made, money I moved, people I… hurt. If they get out, my empire falls. And so do a lot of powerful people.”

I stare at him, my mind reeling. “And Elena? Was she part of this?”

His jaw tightens, and he looks away, the moonlight carving sharp lines across his face. “She was like you—curious, stubborn. She found out about the deals, the paintings. She thought she could fix me, expose the truth. But she didn’t understand the cost.”

My throat tightens. “And you let her die.”

His eyes snap back to mine, raw with pain. “I didn’t *let* her. I failed her. There’s a difference.”

I want to push him, to demand more, but the distant hum of an engine cuts through the night. Roman grabs my arm, pulling me behind a tree. “We need to move,” he whispers. “There’s a safehouse a mile from here. We can regroup, figure out our next step.”

I pull my arm free, the crowbar still in my hand. “I’m not going anywhere until you tell me why I’m involved. Why me, Roman? Why do I look like her?”

He hesitates, and for the first time, I see something like fear in his eyes—not of the men chasing us, but of me, of what I might mean to him. “I saw you at an auction six months ago,” he says, his voice barely above a whisper. “You were restoring a Rembrandt, your hands so steady, your focus so… alive. You looked like her, but it wasn’t just that. It was the way you fought for that painting, like it was worth more than money. I needed that. I needed you.”

My chest tightens, a mix of anger and something I don’t want to name. “So you set me up? The Caravaggio, the contract—it was all a trap?”

“Not a trap,” he says, stepping closer. “A test. I had to know if you were strong enough to survive my world. And you are, Sienna. You’re more than I expected.”

Before I can respond, headlights slice through the trees, and Roman pulls me down into the underbrush. A vehicle rumbles past, close enough that I can smell the exhaust. My heart pounds, but Roman’s hand on my back is steady, grounding. When the vehicle passes, he helps me up, his touch lingering a moment too long.

“We need to get to the safehouse,” he says. “Then we’ll talk. All of it.”

I nod, but my mind is spinning. He’s not just a monster—he’s a man carrying a decade of guilt, and I’m caught in the crosshairs of his redemption. But I’m not Elena. I won’t break. And I won’t let him control me.

---

The safehouse is a small cabin tucked deep in the woods, its weathered exterior blending into the trees. Inside, it’s sparse but functional—a cot, a table, a single lamp. Roman locks the door behind us, checking the windows with a practiced efficiency that tells me he’s done this before. I set the crowbar on the table, my arms aching, and sit on the cot, my glasses fogged from the run.

Roman pulls a first-aid kit from a cabinet and starts cleaning the cut above his eye, wincing slightly. I watch him, torn between anger and curiosity. “You said we’d talk,” I say, my voice steady. “So talk. What’s in those documents? And what’s with the paintings in the vault? Why destroy them?”

He pauses, his hands still, then sets the kit down. “The paintings… they’re a reminder. Every one I defaced was tied to a deal, a betrayal. I kept them to punish myself, to never forget what I cost Elena. The documents are the proof—bank records, contracts, names of people who’d kill to keep them hidden. I thought I could bury it all, but I was wrong.”

“And me?” I ask, my voice barely a whisper. “Why drag me into this?”

He looks at me, his eyes raw. “Because you’re the first person in ten years who made me feel something other than guilt. I thought I could control you, use you to fill the void Elena left. But you’re not her, Sienna. You’re… more.”

My heart twists, a dangerous warmth spreading through me. I hate it—hate him for making me feel anything but anger. “I’m not your redemption, Roman,” I say, standing. “I’m not here to fix you.”

“I know,” he says, his voice soft. “But you’re the only one who can.”

Before I can respond, a phone rings—a burner, tucked in a drawer. Roman answers it, his face darkening as he listens. “Understood,” he says, then hangs up. He turns to me, his expression grim. “They found the shed. The documents are gone.”

My stomach drops. “What does that mean?”

“It means we’re out of time,” he says, grabbing a duffel bag from under the cot. “We need to move, now. There’s one person who can help us, but you’re not going to like it.”

“Who?” I ask, dread pooling in my gut.

“Marcus,” he says. “Your friend, the investigator. He’s been digging into me for weeks. He knows more than he should.”

My blood runs cold. Marcus—my lifeline, my friend. The one person I trusted to help me. And now Roman knows about him. “What did you do to him?” I demand, stepping toward him.

“Nothing,” Roman says, his hands raised. “But he’s in danger. If they found the documents, they’ll go after anyone connected to you. We need to find him before they do.”

I grab the crowbar, my hands steady now. “If you’re lying, I’ll kill you myself.”

He nods, a ghost of a smile on his lips. “I believe you.”

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